• If the world ended in Her name

    Kafka wrote, in one of his letters to Milena, that “Dear Milena, I wish the world were ending tomorrow. Then I could take the next train, arrive at your doorstep in Vienna, and say: Come with me, Milena. We are going to love each other without scruples or fear or restraint. Because the world is ending tomorrow.”

    And then I think of you. Not in a way that is linear, not in the way that sane minds think of another, but in a way that bends in on itself, like light trying to fold back into its own shadow. What Kafka said, I wish to say, though with a trembling that I cannot hide. If the world did end tomorrow, I would not ask for explanations, for your careful reasons, or for the logic you cradle in your palms like broken glass. I would only say, “Come with me. Let us love like cowards never could.”

    But the world does not end. And therein lies the cruelty. It keeps moving, like an unkind clock that mocks the weight of our longing. And so I circle around you, endlessly, in words that refuse to arrive.

    I wonder if my love for you is an apocalypse already disguised as devotion? Because every time I think of your name, the world does collapse for a moment, the streets blur, the air trembles, and my chest becomes a house with all its windows shattered open. Perhaps the world ends a thousand times a day, but only for me. And you, you walk untouched, unaware, as though immune to the ruins I carry.

    Yet, if I had his courage, the courage of Kafka, who never quite had the courage, I would come to you and say, “The future is a lie; tomorrow is a fraud. Let us burn the maps and calendars and live in the violent honesty of this second.” Love me now, not later, not someday, not when the world gives permission, but now, as though the world had already ended, and the silence after the end belonged to us.

    But I do not come. I only write. And writing is my cowardice & my devotion braided into one long, endless, unraveling confession. So, in the end, I keep loving you through my words. Because even the words and worlds might end, but my love for you won’t. 

    aaditya.

  • A Twenty-Five Minute Love Story?

    11:22 A.M., Juggernaut, Connaught Place, New Delhi

    It was just another humid afternoon in Delhi, the kind where time feels heavy and slow, like it’s leaning on your shoulder. I found myself at Juggernaut in CP, seated near the window, sipping filter coffee and waiting for my idli and sambhar to arrive. I hadn’t come searching for anything. Maybe some quiet, maybe just the comfort of South Indian food that tasted like home even if it wasn’t. The kind of lunch you eat with no expectations and a mind full of to-do lists. And then she walked in.

    She came with a friend. Her laughter was the first thing I noticed, before I even turned to look. The kind of laugh that doesn’t ask for attention but gets it anyway. She had curly hair, loose and alive, and skin that felt brighter than the afternoon sun trying to press its way through the glass. Her eyes held mascara like a secret, just enough to make you feel like you were noticing something private, something not meant to be seen by everyone. She was wearing a pink kurti, embroidered gently with threads that caught the light like her smile did. But honestly, I don’t remember much of the kurti. I spent most of the time looking at her eyes, trying not to be obvious about it, failing miserably.

    She was happy. Not the performative kind of happy people wear on their faces for selfies, but the rare, real kind. She clicked a few pictures, laughed with her friend, and sipped her drink. I, on the other hand, forgot about the sambhar cooling beside me. I had picked up a pen from my bag and was writing bits of her onto the tissue paper on my table. Just words. Curly. Kurti. Bright. Smile. Something about her needed to be written down, even if it was only to be thrown away later or folded into the pages of a diary I would pretend I don’t read anymore.

    And then, our eyes met. Brief. Soft. Almost accidental. But something in that half-second stretched longer than it should have. I smiled. She smiled back. I think I even blushed, which isn’t something I do anymore, or so I thought. And then she looked away. That was it. No dramatic pause. No music in the background. Just the quiet return to reality that hits when you realize a moment has ended even as you’re still inside it.

    She left the cafe not long after. Her smile walked out with her. But something stayed. Something tender and inexplicable. I finished what was left of the cold sambhar, paid my bill, and booked an Uber like a person who hadn’t just written a stranger into a poem that would probably never be read aloud. But she lived on. In the ink of a borrowed pen. On a napkin that carried the faint scent of her perfume. In a corner of my memory I didn’t know I had left vacant.

    What should we name this incident? I am figuring that out still. For the time being, let’s remember it as a 25-minute love story?

    aaditya.

  • Love and Other Words

    There are some things that silence cannot hold. Her name, for instance, always escapes it. It spills out of me like sunlight through the cracks of an old window, soft and stubborn and unwilling to stay quiet. Do you ever feel like you’re lying down in a field full of sunflowers, the sunlight brightening up your face, with this cool wind blowing the strands of your hair, and suddenly soft romantic music plays in your head? I have. And that’s the proof; I am in love.

    I have tried, I swear I have tried, to speak of her with restraint, but she makes poetry of my breath. And what can a man do when even his pauses begin to rhyme?

    She is not merely beautiful, though even the stars might dim themselves in her presence out of humility. No, she is good. In a way the world no longer teaches. There is a mercy in her laughter that forgives even the worst parts of me. And when she speaks, it is not only my name that she calls, but some forgotten version of myself I had long abandoned. With her, I am more than I have ever dared to be.

    You once told me that love is a kind of madness, a soft unraveling of the sensible self. Then let me be unmade. For if all love is madness, it is the sweetest kind, a fever I do not wish to break. I would trade reason for the sound of her footsteps and certainty for the chance to hold her hand on an uncertain day.

    She is not the answer to my life’s questions. She is the question itself. I will dedicate a lifetime to asking her the right questions. The one that makes the rest of the world fall into place, not because she solves it, but because she makes it worth solving.

    And so I love her. Not in loud declarations, but in the way I move toward the light when I hear her voice. In the pauses I save just for her. In other words, I no longer need to say it.

    aaditya

  • The Geography of Almost

    There are nights I wake up in the middle of a sentence I never started. My tongue remembers a name my mouth refuses to say. I sit at the edge of my bed, elbows to knees, and trace shadows on the floor like they’re maps to a place I never had the courage to go. Sometimes I think love is just muscle memory, your body turning back even when your mind has made peace. Or maybe that’s grief, I’m not sure. The two have started blending like colours in a storm, and I can’t tell whether I’m drowning in longing or being reborn by it.

    There are people you never stop writing letters to, even when they’re not reading. People who haunt your poems not as ghosts, but as punctuation, showing up as commas when you try to move on, ellipses when you almost do, and a question mark every time you think you’ve stopped feeling. I laugh too loud now, like I’m trying to echo into a version of myself that once made someone feel safe. But it’s strange, isn’t it? How safety can feel like a shiver in your spine and danger can feel like coming home. I don’t trust what feels like comfort anymore.

    I think I’ve been chasing the version of love I imagined before I ever knew what it was. Not the kind they sing about or the kind they leave you with in movies, but the kind that sits quietly in your throat when you’re pretending to be fine. The kind that slips out when you overexplain your silence or apologize for being too much. I’ve loved in metaphors and been left in parentheses. I’ve waited in doorways that were never mine to walk through. I’ve been both the echo and the mouth that started it all.

    Someone once told me I romanticize everything about her. But tell me, what else do you do when reality doesn’t fit your heart? I’ve built cities out of glances and entire galaxies out of half-meant sentences, all for her. I’ve survived more on imagined tomorrows than remembered yesterdays.

    I don’t know if I want to be loved or just understood. I don’t know if I’m healing or rehearsing. There’s a difference between moving on and pretending you have. I keep confusing the two.

    So tell me, is this what you call the space in between being a hopeless romantic and a hopeful lover?

    aaditya

  • if destined, even those a thousand miles apart will meet (有缘千里来相会)

    There’s a Chinese phrase, 有缘千里来相会, yǒu yuán qiān lǐ lái xiāng huì. It means if destined, even those a thousand miles apart will meet. A quiet kind of faith. Not loud like fate with its thunder and signs, but patient, the belief that what is meant will make its way, even if it wanders. Even if it’s late. Even if it arrives laughing, out of breath, holding flowers it picked along the wrong roads.

    I think of that phrase when I look at you. Not because we were apart, but because we could have been. All it would have taken was one missed train, one earlier flight, one decision made slightly to the left and we might never have known. That thought used to scare me, but now it makes me love you more. Because despite every ordinary thing that could have kept us from meeting, we did. Not like a collision. Not like a miracle. But like a sentence that’s been waiting too long for its comma.

    You walked into my life like you had always been circling the block, just waiting for the right time to knock. And I opened the door like I had been expecting a package I never ordered but somehow already missed. We didn’t fall in love, not really. We remembered it. Like our hearts had practiced this dance before, in some life where we wore different names but held hands the exact same way. Like the laughter we share now is an echo from something we forgot to carry over, but finally found.

    And it’s funny, isn’t it, how love can be so confusing. Not in its chaos, but in its peace. I kept waiting for the twist, the storm, the unraveling. But instead, you stayed. We made tea. We talked about the shapes in clouds. You told me you once tried to write a poem and gave up halfway because it felt too raw, too much. I told you I think love is like that. Not always needing to be finished to be beautiful. And then we sat in silence, not awkward, not empty, just full.

    Maybe destiny doesn’t mean we were made for each other. Maybe it means we chose each other anyway. Even across the distances. Even across all the little elsewheres that could have been. Maybe love is the quiet miracle of reaching the same point from opposite directions. And maybe, just maybe, we are the ones who kept walking. Because something inside us knew, when it’s right, even a thousand miles isn’t far.

    -aaditya

  • Oranges and You, Just One Last Time

    I would peel oranges for you, but would you bookmark the page of the book I was reading if I accidentally fall asleep? That’s all I’m asking. Not devotion, not declarations under moonlight or songs on empty balconies. Not the ache of love, but the hum of it, so soft it’s nearly mistaken for silence.

    I mean, I would hold the umbrella slanted toward you, letting my shoulder soak, even though I hate the rain. I would learn the names of the people you only mention once, remember the smell of your shampoo just in case you forget. I would stay up past my thresholds and undo my rituals just to make space for the mess you bring. But I wonder… if the weight of quiet things I do ever echoes in your chest when you breathe in my name?

    Sometimes love is just the sound of a kettle boiling when you didn’t ask for tea. Or noticing the way someone dog-ears their pages and never correcting them. It’s not grand, it’s grazing.

    You see, people write poems about falling, but no one writes about staying. No one tells you how loud the silence is when the page turns without you. Or how the spine of a book bends differently when your hands aren’t the ones touching it.

    I once folded a paper crane and whispered your name into it before letting it drift down a river. I don’t know why, I think I just wanted the water to know too. The current was gentle that day.

    But I guess this is where it all bends inward. Where I stare at your shadow across the room and realize I’ve always given things without receipts.

    I’ve peeled oranges into perfect moons, just so the juice wouldn’t stain your fingers. I’ve watched you laugh at books I’ll never understand, but never asked you to understand why I cried over a single comma.

    Maybe I fear love isn’t mutual, it’s just mirrored. Maybe I keep loving people who are only evernlooking at themselves in the glass I become for them. Still, I’d peel oranges for you, again and again. But, Would you bookmark the page of the book I was reading if I accidentally fall asleep?

    -aaditya

  • koi no yokan (恋の予感 – “The premonition of love”)


    Title: Koi no Yokan
    (恋の予感 – “The premonition of love”)

    The subtle sense, upon first meeting someone, that you will inevitably fall in love with them.

    There are certain nights that don’t end.
    Not in sleep.
    Not in silence.
    Not even in forgetting.

    I met her between two seconds. Not a full moment

    no, something briefer. Something before memory, before decision. The way a drop of ink might already know it’s meant to spill into a poem. That’s when I felt it: koi no yokan, not quite love, not yet, but the certainty that it will be.
    I think my heart bowed before I did.

    She didn’t say much. But it was the way she looked at empty chairs, as if they all remembered someone. The way she picked at coffee mugs like the rim held secrets. You don’t fall for people like her.
    You remember that you already did.

    I tried to fight it with logic, measured breaths, practiced detachment. But koi no yokan is a liar. It doesn’t scream. It doesn’t ask. It settles. Like smoke in a closed room. Like light through paper walls.
    And that night, I wasn’t breathing smoke, i was inhaling her inevitability.

    I don’t know her name.
    But I know I’ll love her.
    And in some ways, maybe I already do.
    That’s the cruelty of koi no yokan
    it’s not love.
    It’s worse.
    It’s the whisper before the scream.
    It’s the outline before the absence.
    It’s knowing the fire is coming, and warming your hands anyway.

    And if you ever feel it…
    You’ll understand.
    This wasn’t a meeting.
    It was a prophecy.

    aaditya

  • I kept writing her, again and again, until the page began to look like love

    I kept writing, like the page remembered her better than I did, like every line was a hand reaching for her in the dark. Even when I called it fiction, it wasn’t. Each poem a quiet unveiling, not of who she was, but of how she felt. My poetry was never just words, it was the canvas where I kept painting her, again and again, until the page began to look like love.

    aaditya

  • And if time’s supposed to heal, why does it ask for more of me every day?

    I spoke to the spaces between words today because they felt more honest than what I’ve become. I keep retracing conversations like they’re constellations, trying to find the shape of what broke us, but maybe it was never one shape; maybe it was a shifting thing, maybe I was the shift. Or maybe silence crept into the cracks I pretended didn’t exist, and I fed it too long, mistaking quiet for peace.

    You once said you liked the rain but hated getting wet, and I laughed like that was a metaphor and not a warning. Now I stand in every storm without an umbrella, thinking maybe this is penance or poetry, or some fusion of both where neither makes sense. I keep thinking of your voice at 2:07 a.m., how it could ask, “Are you okay?” like it had already cradled my answer. Now I only ask myself that in the voice you left behind.

    There are hours I scream internally in Morse, in backwards scripts, in letters never sent and messages unsaid, hoping you catch the wavelength of guilt I broadcast. I don’t even know if it was one thing or many tiny careless ones—like paper cuts from pages I didn’t bother to turn.

    And if time’s supposed to heal, why does it ask for more of me every day? Why do I keep rehearsing apologies in mirrors too tired to reflect anymore? I’m not asking for yesterday; I’m not asking for forgiveness wrapped in neat conclusions. I just want to know, what version of me do I have to tear apart, rebuild, unlearn, and relearn for the path to shift even slightly toward the place where you don’t look away?

    How do I make things right?
    Tell me where to begin.
    Even if I won’t like the answer.

    aaditya

  • She leaves like dust does

    I held her name in my mouth for so long it started to turn into something else. A weight. A stone. Not a name anymore, just the residue of it. The sound of someone you once whispered to sleep now rotting behind your teeth. She loved tulips. She loved rainy days. I remember thinking I’d give her both, forever, even if it meant standing out in the storm with my hands full of flowers I didn’t know how to keep alive.

    But I never learned how to build anything without destroying something else. When she cried, I told myself it was just the weather. When she laughed, I thought maybe she was forgiving me. Maybe I’d earned a few more days. I hadn’t.

    She didn’t leave dramatically. No screaming. No suitcases. Just a quiet unraveling, like a thread pulled until the whole thing disappeared. One day she said, “I can’t do this anymore.” And then there was nothing. Not a goodbye. Not really. Just the hum of a phone screen, still glowing. I didn’t answer. I couldn’t. I was already halfway gone myself.

    I used to be terrified of losing her. Every day, some new version of the nightmare. I rehearsed my pain like a ritual. But none of those versions prepared me for what it’s actually like. To lose someone not with a bang but with silence. A silence that doesn’t even echo. A silence so complete it makes you question if they were ever really there.

    Would I do it again? Yes. Even now. Even with the ending written in blood. Even with the sleepless nights and the sick feeling every time I saw her name on a photo someone else took. I would walk back into it with my eyes open. I would love her again. And maybe this time, I’d say all the things I kept buried. I’d be kinder. I’d listen more. I’d let her see the soft parts of me I was too ashamed to share. I’d let her know that the way she looked at the sky made me believe in something bigger than myself.

    But I don’t get to do it again. And there’s something holy in that. Something in knowing I could’ve done better that keeps me human.

    She’s not a monster in my memories. She’s that song that plays quietly in the background of everything I do. Sometimes I hum along without realizing. Sometimes I forget the words.

    And the fear of losing her? It died with the part of me that thought I could keep her. And what’s left now isn’t fear. It’s the silence. It’s the space she once filled. And it’s mine.

    -aaditya

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